eighties music didn't all suck
There was some rock, I guess -- Ozzy, Van Halen -- but in retrospect I think I only listened to that because it was better than the pop. And there was the Art of Noise, one of the best musical experiments ever -- but nobody else ever sounded like them, then or since.
Last March, Salon's Audiofile featured a song by Billy Bragg (whom I'd never heard of before), with the chorus:
I don't want to change the worldAnd, after a few listenings, that song really got to me -- the simplicity and beauty of it, Bragg himself singing unashamedly with an accent that's never been popular in recordings -- it quickly became a favorite.
I'm not looking for a new England
I'm just looking for another girl
Turns out he sang that in 1983. There's no way I would've heard it back then; I was seven years old and living in Skokie, Illinois, listening to my parents' cassette recordings of Beatles albums -- in mono! But listening to Bragg's "Back to Basics" CD, which compiles a couple of his early eighties albums, I find an inescapable familiarity of subject and tone.
So, I have to wonder...what else was going on in that decade, especially the early part? What else didn't make it into the Time Life compilations of horrible schlock? And, why has it been so effectively overshadowed?
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Track listing for my set at Chillits 2007
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rone - #1 - 2007-02-10 20:30 - (Reply)
Hey, the early `80s featured a reunited King Crimson. The late `80s gave us the Pixies and Throwing Muses. Hüsker Dü dominated almost the whole decade.
cmikk - #2 - 2007-02-10 22:25 - (Reply)
Tom Waits did some of his best stuff in the 80s, IMO.
A lot of good music happens all the time. Only the "what were we/they thinking" stuff makes the compilation CDs. Most of the really good stuff isn't identifiable as 80s/90s/etc.
pob - #3 - 2007-03-19 02:47 - (Reply)
Most people are more familar with Kirsty McCall's version of this Billy Bragg song.
It lacks the rawness of the original but has more feeling.
J.D. Falk - #3.1 - 2007-04-15 15:57 - (Reply)
Nice, thanks for the pointer. Kirsty MacColl's version seems to have an unmistakably 80s britpop feel, extremely earnest and bright (especially the bridge), but I think it'll grow on me.
I also found the 12" mix in the iTunes Store, and oddly I like that a lot more than her original -- except towards the end, where it reprises the bridge and fades out. Odd to hear a long fade on a 12" mix, but I guess this was released before anybody thought much about turntablism.
There are a few other covers of "A New England" on iTunes, though I didn't buy any of 'em. The Ataris sound a lot like Billy's original...Too Much Joy is all punk and shit...The Groovie Ghoulies sound like mid-nineties altrock without the alternative...and Uncle Brian's cover sounds like modern guitar punk. I'll keep looking for more.
Phil Lockwood - #5 - 2007-10-01 21:51 - (Reply)
Prince. Peter Gabriel, The Police, Talking Heads. Crowded House.
The Smiths, The Cure. David Bowie spans every generation. New Order.
Even Billy Joel had a catchy phrase with the unabashed confidence of You May Be Right: "You may be right, I may be crazy, but it just may be a lunatic you're looking for!" (from Glass Houses).
Of course the big ones - Michael Jackson, Madonna, U2.
And at work we torture each other with 80's ballads - "Africa" by Toto, "Against All Odds" by Phil Collins, "Do you really want to hurt me" - Culture Club (steer clear of those disco balls George!)
And The Cars (Just What I Needed, Hello Again) and Duran Duran (Hungry Like the Wolf, Girls on Film, Rio)...
And even the pop hits - All Night Long (Lionel Richie), Owner of a Lonely Heart (Yes), Who Can It Be Now (Men at Work!), all of that pop music that is both fascinating and a bit frightening because of its straightforward satisfaction with the world...
J.D. Falk - #5.1 - 2007-11-15 10:14 - (Reply)
Right, but see, I still don't like The Smiths or The Cure. The blues and some country music celebrate misfortune and turn it into something beautiful, while the eighties whiners just expound and expand until there's nothing left but despair and picturesque suicide.
(But yeah, I know that a lot of my contemporaries -- especially people just a few years older than me -- absolutely loved those bands, and still do.)


I've been using iTunes for years — originally because (in 2001) the other MacOS X mp3 players sucked, but now that I'm on my third iPod (first, second) I'm more or less locked in.
Tracked: May 06, 14:39
Previously, I described how I get music from podcasts into my ears. But I haven't yet described which music podcasts I subscribe to, or why. I started with Salon.com's Audiofile column, which they have now discontinued. With the new setup, I added Th
Tracked: Aug 08, 19:06